![]() ![]() One might even say he plays it up in goofy staged bits, such as the one where he dons a lab coat to examine the powerful rear and kidney bean-shaped pelvic tilt of an impassive model clad in 80s-style Jane Fonda Workout wear. The talking heads are minimized and the extended family kept to the shadows, but he’s frank about the erotic preoccupations that figure prominently in his work and have raised more than a few feminist hackles over the years. (“And I guarantee we won’t earn an extra dollar as a result of this wonderful exposure,” Aline adds in a word bubble, an observation the Crumb blog gives the lie to, nearly twenty years out.)īut in terms of what he was willing to own up to on camera, Crumb the screenwriter is far from a shrinking violet. Fame for Crumb is a monster-making drain on creativity. Their objections ultimately lay with the notoriety the film would confer on them. It’s still a lot of fun though, perhaps more so for having been scripted by its main attraction.Ĭrumb and his wife, fellow cartoonist, Aline Kominsky Crumb, were uneasy with Zwigoff’s portrayal, a reaction they documented in Head for the Hills!, a jointly authored, two-page comic in the New Yorker. ![]() Unless you’re a virgin to the subject, The Confessions of Robert Crumb, a BBC doc whose release predated that of Zwigoff’s definitive portrait by seven years, will contain no major revelations. Crumb, may consider themselves fairly conversant in both the art and the offbeat existence of the vintage-record-revering sexual adventurer and self-proclaimed wimp.īut does a traveler pass up the opportunity to visit Paris simply because he’s been there once before? It’s a great film for documentary lovers or those who like underground comics or are interested in Crumb.Anyone who’s seen Crumb, Terry Zwigoff‘s 1994 documentary about underground comics legend, R. See It If: you thought you and your siblings were dysfunctional. So if you’re thinking of watching it, perhaps be aware pf that, and also that Crumb’s drawings and focus are often around women and sex, so some might be off put by the whole thing. It’s quite a funny film to watch, in a dark way. While the film is fascinating and really very good, the people in it are very cynical. I found Crumb really sinister, watching this film, but none the less interesting. I think watching this film now is a different experience than watching it in the 90’s. We live in a quite PC age now, and Crumb perhaps embodies the opposite of that, a rebellion against that. But the way Zwigoff explores this and allows all these people to speak, it makes for a really interesting film. It’s like all these things are acceptable within the family, but are really kind of worrying in the real world. There are conversations he has with his brothers where they talk about molesting women, about homicidal fantasies and are really open about their thoughts about sex and sexuality, women. and maybe doesn’t realise how he comes across to others. But he also seems so miserable, disconnected, lost, unwanted…. He’s just too dark, negative and didactic for me. I don’t like his style and ideas all that much, but I do think he has talent. I was partly fascinated by this odd family and wanted to know more, and yet I also didn’t really like Robert at all, and felt like he was kind of grotesque and shallow, in some ways. The film is sometimes touted as the greatest documentary ever made, and the fact that it was passed over for the Documentary Oscar that year was quite controversial at the time, though it did win quite a few awards from film festivals. One struggles with depression and mental illness, the other has dropped out and begs and meditates on the streets, unable to hold down a job. It has been noted that the world knew R Crumb and thought he was a bit strange, but was surprised to learn that he was the most well balanced of hos brothers. ![]() It’s almost hard to separate them, because none of the three seem to have truly left home in a meaningful way, and seem enmeshed with a competition that started in childhood and bonds them now. So, it’s about more than one Crumb, I guess. The film is called Crumb because while Zwigoff set out to meet and make a documentary about Robert, the film also explores his two brothers lives too. You may know him as the creator of Fritz The Cat or the Keep On Truckin’ comic strip. He seemed to resonate with a new generation, with his weird imaged and dark, sometimes satirical humour. Robert Crumb is a cartoonist who became very popular in comic book circles in the 60’s through psychadelic magazines and other mediums. Imdb describes this film as “an intimate portrait of controversial cartoonist Robert Crumb and his traumatised family.” Which I think is a really good summation, so I’m borrowing it. Starring: Robert Crumb, Aline Kominsky-Crumb, Charles Crumb ![]()
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